After 36 hours in transit, 21 hours in the air, and a nice, lengthy 10 hour layover in Los Angelos, I've touched down in Melbourne, Australia where I'm ready to start the next chapter in both my audio post production and music careers. Making the move across the globe was not an easy decision, but will be an exciting and challanging change. House-hunting, gear-buying, and general life admin await me before I'll be able to dive back into the respective worlds of audio post and

It's with a heavy heart that I say goodbye to Audio Process after nearly eight years of audio post, studio management, music engineering, location sound, and really any old odd job that needed doing. Fortunately, I know the space is still in great hands with my former collegues and current friends, and of course I'll still be connected to them by way of continuing to collaborate on film, TV, and other post projects. I owe a ton to the skills, knowledge, and experience I gaine

I had the pleasure of working on two projects for this year's Microflix short film competition - "The Bottom of the Billabong" by Melbourne and Perth-based production company 54th Story and "Beathe" by acclaimed animator Mawrgan Shaw. Both projects were equalling challanging and interesting to work on, with "The Bottom of the Billabong" being a more foley-centric and traditional sound design post project, while "Breathe" allowed me to explore more experimental sound design al